The paintings of Endara Crow try, rather, to express the essential landscape of knowledge and emotion. He may thus be described as a classical; but at the same time, because of his unlimited subjectivity and fantasy, he also belongs to the baroque. He is also, in his capacity for description, a realist. But at the same time, in bestowing imaginary and dreamlike dimensions upon this reality, he is also a surrealist. And, in his capacity to conciliate contrary tendencies, extracting a coherent and harmonious unity, lies the principal richness of his work.
He paints scenes and landscapes which he feels familiar with and bound to, but he easily removes himself to paint them from the outside, like a foreign and desinterested observer who immediately or at once becomes himself again within his own countryside, in a circular path between himselfness and otherness. He is like the men of the sierras, who, traditionally, close their eyes to the outside, in order to turn them and look inward. Peran Erminy.